Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living Read online




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  Copyright © 2014 by Nick Offerman

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  Illustrations © 2014 by Mike Mitchell

  REGISTERED TRADEMARK—MARCA REGISTRADA

  LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

  Offerman, Nick, 1970-

  Paddle your own canoe : one man’s fundamentals for delicious living / Nick Offerman.

  p. cm.

  ISBN 978-0-698-13832-2 (EPUB)

  1. Offerman, Nick, 1970- 2. Actors—United States—Biography. 3. Carpenters—United States—Biography. 4. Conduct of life. I. Title.

  PN2287.O275A3 2013

  791.4502'8092—dc23

  [B]

  2013023379

  While the author has made every effort to provide accurate telephone numbers, Internet addresses, and other contact information at the time of publication, neither the publisher nor the author assumes any responsibility for errors or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

  Penguin is committed to publishing works of quality and integrity.

  In that spirit, we are proud to offer this book to our readers;

  however, the story, the experiences, and the words

  are the author’s alone.

  To Megan, my wife, cherry blossom, and legal property, who teaches me life every day.

  And to her mother, Martha, who has taught us both beauty and humor. She also taught Megan class but got to me too late.

  CONTENTS

  Foreplay

  1 Not-So-Little House on the Prairie

  Eat Red Meat

  2 Hail Mary, Full of Beans

  Horse Sense & The Bible

  3 Der Ubermann/Offermensch

  How to Be a Man

  4 Football Troubador

  Don’t Be an Asshole

  5 Walking Beans

  Work Hard, Work Dirty

  6 Carnalisthenics

  Leviticus Can Blow Me

  7 Enter Dionysus

  Don’t Walk Alone

  8 Doing Time

  Be Smart While Getting Stupid

  9 Born Again Again

  The Moustache Makes the Magick

  10 Wax On, Wax Off

  Make a Goddamn Gift

  11 Kabuki Farmboy Takes Chicago

  Carry a Handkerchief

  12 Subaru Leavings

  Discern Your Ass from a Hole in the Ground

  13 Resurrection

  Measure Twice, Cut Once

  14 Romantic Love

  Love Your Woman (A Paean to Megan)

  15 Finding Swanson

  Let Your Freak Flag Fly

  16 Nowadays

  Go Outside

  Acknowledgments

  A gentleman is someone who can play the accordion, but doesn’t.

  —Tom Waits

  FOREPLAY

  I am a jackass living in America and living surprisingly well. Let’s make that our jumping-off point. I come by it honest. I am your average meat, potatoes, and corn-fed human male, with a propensity for smart-assery, who has managed to make a rewarding vocation out of, essentially, making funny faces and falling down. I have also exhibited some tool skills and an inclination for eating delicious meatstuffs, and have then been somehow rewarded quite over-handsomely for these tendencies. I grew up literally in the middle of a cornfield in the village of Minooka, Illinois, where I spent a lot of time learning to use intoxicants, chasing girls, screwing around in the woods (mostly without the girls), and serving under Father Tony (unmolested) at our local Catholic church, St. Mary’s. I learned the word nonconformist in fourth grade and immediately announced that I would grow up to become one.

  I have a hell of a great family in Illinois and now some more in Oklahoma via my wife, Megan. I have spent the vast majority of my adult life working as an actor and also, to a lesser extent, as a woodworker. I’m going to run on at some length about the excellent people whom I have called friends, and some others whom I have had the privilege of calling teachers, and, while those parts are all well and good, there will also be some dirty parts, and I believe cunnilingus gets at least two mentions (favorable). On top of all that, and woven all throughout it, I’ll describe my wife, who is just a goddamn blessing to me in a great many ways, enriching my life to such an extent that I can go nowhere anymore without passersby muttering, “There goes that lucky bastard.” I can only make a dimple and solemnly nod in agreement.

  Each story comes with a delicious fundamental—advice about living life that I hope you’ll find useful. Of course, my fundamentals may not work for everyone. A beautiful aspect of the human race is our endless variety. Like maple leaves and snowflakes, there are no two of us alike. Therefore, while my tactics involving the cultivation of lush facial hair and the consumption of pork products, as well as those derived from beef, may not be exactly the steps of the path you might tread on your own way to “delicious living,” perhaps my techniques will at least inspire you to forge your own discipline, providing you with the necessary skills to blaze your own trail.

  Basically, this book boils down to how an average human dipshit like myself, relying solely on warped individuality and a little elbow grease, can actually rise from a simple life of relative poverty to one of prosperity, measured in American dollars and Italian band saws, sure, but more importantly, laughter, wood shavings, and kisses. The key lies in finding the delicious flavorings in one’s life, no matter how fancy your blue jeans may or may not be. The notions herein are meant to inform, inspire, and engender mirth. Enjoy, please, and thank you.

  1

  Not-So-Little House on the Prairie

  Jesus, Mary, and Joseph. Where do I begin chapter 1? I suppose we’ll do a chronological thing and start you off with some of the early years, a taste of the vintage stuff.

  I showed up on Earth, in the tri-county area of Illinois, to be more precise, in 1970. This was, reportedly, the year Tom Waits showed up in LA to start pushing his demos around town. I haven’t had the chance to ask Tom if he was trying to send me a personal message of serendipity with his beautiful and haunting songs of the day like “Grapefruit Moon” and “Midnight Lullaby,” but it seems too crazy-on-the-nose to just be coincidence. Right?

  Somewhere in the Arizona desert, Tom Laughlin was shooting the movie Billy Jack, and warlock-style wax albums were dropping all about the realm with names like Look-Ka Py Py; Black Sabbath; Sex Machine; Moondance; Bitches Brew; The Man Who Sold the World; After the Gold Rush; Free Your Mind . . . and Your Ass Will Follow; Kristofferson, for cryin’ out loud; Let It Be; and the most
weirdly kabbalistic—Randy Newman’s 12 Songs. Potent magicks coalesced and fluctuated across the void, whilst strange nether-clouds swelled with great portent above the green crop fields, awaiting . . . what? Some child? A chosen man-cub?

  Despite some loose popular misconceptions, I did NOT in fact drop from my mother’s womb wielding a full moustache and a two-headed battle-axe. Nor was there sighted evidence of even the first follicle of the first hair of my chest bracken. Those laurels would come later.

  The luckiest part of my very lucky life (pre-Megan) has been being raised by my family in the environment they created for the rearing of my siblings and me. My mom, Catherine Ann Offerman (née Roberts), and my dad, Frederic Dames Offerman, grew up about three miles from each other in the middle of the countryside, outside of Minooka, Illinois. Where is that? Right next to Channahon, as I like to joke. (I told you this shit was gwine to be humorous.) Southwest of Joliet. My mom grew up in a family of four kids, born to Mike and Eloise Roberts, and they raised pigs, soybeans, and corn. My dad, born to Raymond Offerman and Marilyn Dames Offerman, grew up on a dairy farm with two siblings before moving into town as a teenager. They attended all the same Minooka schools that I eventually did, and married young. Dad was twenty-four and Mom was nineteen. Which seems batshit crazy to me these days.

  * * *

  Minooka is, surprisingly, only about an hour from Lake Shore Drive in Chicago, if there’s no traffic. But it seems like it’s fifty years distant, or at least it did in my youth. It was very bucolic and idyllic, like American Graffiti or Happy Days. Saturday night you would get together and “buzz the gut” in your jalopy, which meant drive past the five businesses on Main Street. At the time I was growing up the population was 768. It’s grown ridiculously—it’s up near twelve thousand now. It used to be primarily a farming community, but by now, the commuting suburban population has reached it and subsumed it. There are now many inhabitants of Minooka whom I would consider “soft,” and yes, that is a judgment.

  My dad went to Illinois State University. I had always heard various legends of his prowess as an athlete as a young man, primarily in baseball and basketball. I wrote to him, asking for some facts on this subject for my book, because he has always been pretty humble about it to the point of being mum. Here is an excerpt of his reply:

  Well, I don’t know what you heard but remember it was a very small high school. In baseball I started every varsity game for four years except one as a freshman and in that one I pinch-hit and hit a triple, then later in that game I hit another triple (that never happened again). As a sophomore I batted second, third as a junior, and fourth as a senior and was the shortstop the last three years. . . . I hit .333 (22 for 66) and led the team in RBIs. That was second to your uncle Mark, who hit 1.000 (1 for 1). I never considered myself as a terrific player but I had one damn burning desire to play and was surprised many times when I did well.

  This might begin to give you an idea of from whence I sprung.

  * * *

  They have yet to make a man I like better or respect more than my dad. And he’ll be the first to tell you that my mom is even better. They married young, and my mother had my older sister, Laurie, when she was twenty. Twenty! The balls on these people! They rented an old farm for one hundred dollars a month plus utilities. It was right in between the two farms they grew up on, and that’s where I lived for my first five years.

  Looking back on it now, I am just astonished at how little income we got by on. The older I get, the more my parents just seem like absolute heroes to me. My dad was teaching junior high geography, history, and social studies in Channahon, as well as tacking on every bit of extra income that he could squeeze in. He drove a school bus, he coached basketball, and in the summer break he would work on a local blacktop crew or earn wages on the Roberts’s farm, where my mother grew up. Meanwhile, my mom was running a household with four children, making a lot of our clothes, and cooking up a storm. Not too far off from Ma and Pa Ingalls. They raised us four kids, Laurie, me, Carrie, and Matt (the baby, aka “Matt Mailman”), as solid as Illinois livestock. My sisters and brother are the cut of folk who I’d be damn glad to stand beside in a bar brawl, a square dance, or a pie-eating competition, and preferably the latter.

  It was an old farmhouse, and drafty, so we nailed blankets over the doors to combat the drafts. We had our first big garden there, and I have the most wonderful memories of my parents’ gardens. To this day my dad has two huge gardens, one at home and one out at the Roberts’s farm. One of my earliest memories is of sitting in the garden, in the strawberry patch, in my diaper, probably fertilizing the strawberries more than I’d care to admit, ironically happy as a pig in shit, just sitting in the mud and eating strawberries.

  We were right across the road from the Aux Sable Creek, which is the creek that ran through my life. No matter where my mom’s family was farming or where we lived, we were always within a few miles of the creek. That’s where I learned to fish and eventually canoe.

  * * *

  My first job on the farm was shoveling pig shit in the barn basement for my grandpa Mike Roberts. He probably paid me a nickel for lending him a hand in procedures of animal husbandry. One of my most distinct memories as a small boy was handing my grandfather the one-year-old pigs, which he would then sequester upside down in this clamped bracket so that he could handily cut their nuts out with a razor knife and then spray the wound with a medicinal purple spray. You may begin to understand why this memory is particularly poignant, for I promise you’ve never heard anyone scream like a one-year-old pig screaming for its balls.

  It was never so Little House on the Prairie that we’d have our own pig-killing day. It was something I always loved reading about, though. The whole neighborhood would come out together, as I’ve read in Little House on the Prairie and also in the fiction of Wendell Berry (our nation’s most venerated living agrarian author and far and away my personal favorite writer; he has a great short story, “Don’t Send a Boy to Do a Man’s Work,” where somebody uninvited shows up with some whisky and it turns into a very messy hog-slaughter day).

  We were eventually aware that a couple of Grandpa’s pigs would come home from market and go straight into the freezer. As kids, we’d have our favorite pigs and we’d name them. There were a few gray years before we realized, “This bacon used to be old Fat Albert.”

  * * *

  As the oldest male grandchild, I suppose the guys were trying me out at different tasks to see if I would take to farming. I remember a time when there was a pig who died of an intestinal sickness, and a vet came out and removed its intestines to determine what it had. My uncle Don Roberts and I took the pig on the end loader—which is a tractor with a bucket in the front—out into a field and buried the pig and the intestines separately. This may be revisionist history, but I recall that pile of guts being the same purple as the neuter spray. That color purple was ruined for me—I was later a big fan of Prince, but his greatest album unfortunately gave me visions less redolent of Apollonia’s beauty and more suited to the abattoir. On that day in the field, I remember Uncle Don explaining that you had to bury both deep enough and cover them with rocks so the coyotes wouldn’t dig them up.

  Out in the hog lot there were big, round feeder bins into a top central hatch of which one would dump hog feed. The pigs would then access the feed off the chutes at the bottom, which was handy for them, but unfortunately it was also handy for the rats, which are always a big problem on a farm. So, when the rats got bad enough, Grandpa and the uncles would hoist this feeder up in the air with the same bucket loader. We would assemble a whole neighborhood of friends, who would surround the feeder. There would be twenty neighborhood men and boys armed with pitchforks, spades, and hoes. They’d have half as many dogs, standing at the ready. When the feeder took to the air, maybe a hundred rats would scatter in every direction. Many would elude the weapons, but I don’t believe a rat ever escaped the dogs. Those pooches had
a field day. It was really quite something.

  There were lessons of life and death pretty much from the get-go on Grandpa’s farm. Hilarious book, right, people?

  * * *

  When I was five my dad had an opportunity that seemed very Little House on the Prairie to me. There was a farmer named Bob Heartt who was going to tear down his old two-story farmhouse and build a newfangled, single-story ranch house. He offered my family his old house if we could simply ROLL THE HOUSE ON WHEELS to a new three-acre plot of land in one of his cornfields. In exchange, Bob Heartt would receive a new heater in his expert-machinist tractor shop, new cabinets for his wife’s kitchen, the filling-in of the old basement hole, and compensation for the three acres. Still, it was a great deal. My folks borrowed $27,000 and spent most of the $10,000 they had in savings. My dad still says it’s one of the best financial moves he ever made.

  Until this writing, I had never put together my own penchant for moving audacious loads of scenery (or tree slabs) with my dad’s Paul Bunyan–esque relocation of a gargantuan two-story farmhouse. I could write a whole book on the lessons I received from Dad, and Uncles Dan and Don, and Grandpa Mike, as well as Grandpa Ray, my dad’s dad. I learned early to respect my tools and my machinery, knowing that with the proper lashing-down and utilization of simple machines—the wheel, the lever, the screw, the inclined plane—there was no job of work that could defeat us.

  Over and over, for years, I would accompany them in tasks of carpentry and mechanics, and they would set me to work with a hammer and nails and patiently repeat, “Hit it! Don’t make love to it, hit the gol-dang thing!” After years of attempts, I was finally able to feel the strength come into my arms and shoulders and operate a tool in a manner that they would pronounce satisfactory. For one of those impossibly proficient men to deem my work a “nice job” filled me with more satisfaction than any A-plus grade I ever received in school. In my burgeoning competence with a ratchet—and more importantly, their approbation thereof—there was a complicit understanding that I was on the right path to one day have the ability to use tools to my creative benefit, just as they did every day.